Mo Fanning - British writer and comic

Writing

Everybody loves an unreliable narrator … don’t they?

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Rebuilding Alexandra Small

I’ve owned an unreliable washing machine, an unreliable car, and worst of all roller-coaster results from a not entirely trustworthy recipe for spaghetti carbonara. And yet I persist. It’s the same with an unreliable narrator. Make the people who live on your pages too predictably perfect, and nobody cares.

I just picked up my first advance review for ‘Rebuilding Alexandra Small‘. One thing the reader zoomed in on is the fact that Alexandra Fox is far from perfect.

“At times I felt sorry for Allie and at other times I blamed her. Allie is not perfect, hasn’t always made great decisions, and sometimes lashes out. She’s like one version of ourselves, the version we are always trying to hide. Yet even then, I envy her. Allie doesn’t suppress herself. She reacts. She says what she shouldn’t and acts on impulse… but not all the time. She is trying to pick up her pieces and move on with her life, except she’s been thrust into a state of limbo. Mo Fanning has cleverly crafted this complex environment for Allie and I was enthralled watching the ups and downs of her everyday life within this environment. I was forever guessing what she would do or say next. I couldn’t put the book down.”

Who invented the unreliable narrator?

An unreliable storyteller is a narrator whose credibility is compromised. Wayne C. Booth first coined the phrase in 1961 in The Rhetoric of Fiction. Sometimes unreliability is made immediately clear. Also, it’s better if a reader finds out about selective memory once they get to know them – just like in real life. Who hasn’t made a friend with hidden depths?

When writing Allie, I wanted to create someone readers engage with on a deeper level. First person narratives put the reader in the storyteller’s mind, and transmit their exclusive take on the world … but everyone has their less shining moments, and having Allie confront her past is my way of framing an up-down-up recovery. I didn’t want her unreliability to jump out of the first page, rather it should reveal itself in unexpected ways.

Quoting the rather lovely Rachel Barnard once more:

“Allie wasn’t always nice to others growing up, so perhaps the way people see her and treat her now might be some kind of karma, but she doesn’t deserve it.”

 

Rebuilding Alexandra Small by Mo FanningRebuilding Alexandra Small is available this month to request on NetGalley.

It’s also on sale for advance orders as both an eBook and Paperback at all good booksellers.

 

16 ways for writers to create a rounded character

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Character research

One thing I’ve come to accept with writing is the absolute need for character research. And by this, I don’t mean heading over to Google to find out about the town in which you plan to set your story, or looking up how likely it might be to die from a well-aimed gun shot. The single most vital bit of research any writer does relates to the people who populate their pages. Not knowing enough about the characters in your story is the biggest cause of writer’s block.

The obvious objection here is to say: How can I research a character I made up?

Soap writers access huge detailed fact files built up on each and every on-screen face so nobody acts out of character. As a writer, you need to do the same.

Each time I get an idea for a new project, I write the first few chapters (secure in the knowledge not one sentence will make the final draft). This is where I stop.

By then, I’ve created a handful of characters – or in my case, it’s more like twenty or thirty. This is where the initial character cull needs to happen. At least half need to go (or find themselves relegated to bit part roles – often without names).

What you’re aiming for is one or two lead characters and perhaps two (or three at most) supporting ones.

Character 16-point checklist

When you’ve agreed with yourself who gets to live, this is where research starts. My target is to write 2-4 pages on each. This is where you dig into your imagination, but also Google to understand who the character is, what drives them and what has happened to them in their life, where they come from and what sights, sounds and smells they recall and carry with them.

For each character, think about:

  • Their age
  • Where they live when the story starts
  • Background
  • Physical description
  • Typical clothing (here I like to create 5-10 outfits to copy and paste later)
  • Current and former occupation
  • Key relationships
  • What motivates them?
  • Describe their personality
  • Do they follow any hobbies?
  • Do they have habits or twitches/tics?
  • Why is their role in the story?
  • Does anything scare them?
  • What drives them on?
  • Describe their biggest secret
  • What do other people see when they look at this character?

I’m not going to say you must complete every single one of these for each character. Lesser ones don’t merit this level of depth, but having a place to check back and make sure you gave them the correct eye colour or the right hairstyle will save you hours of flicking through chapters. And avoids that horrible day when an editor (or worse a reader posting an Amazon review) points out your glaring error.

As a bonus, nine times out of ten, doing this exercise prompts storyline twists; knowing I’ve created something to reveal about any character is a brilliant motivator.

How do you build your characters? Share your tips.

Photo by Russ Ward on Unsplash

Planner or pantser – what sort of writer are you?

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Writer who plans

There are two schools of thought for a writer working on a story – you either plan – and work out in advance what happens when. Or you don’t. You pants your writing – derived from the phrase ‘flying by the seat of your pants’.

After years of trying to be a don’t care writer, I’ve realised the only way I can ever finish a book is to plan. If I write and see where the characters take me – usually into a deserted parking lot where one of them pulls a gun and tells me to stop bothering them with my adverb-free prose.

That’s not to say there isn’t room for freestyling – especially when you first work on something fresh. In fact, playing things by ear is essential.

Brick walls

My creative process tends towards the same pattern each time I try to work on a new novel. I start off fine, loving everything about what’s clearly the best thing I’ve ever written. And then I run smack into a wall – usually around 15,000 words. The dreaded ‘writers’ block‘. If I climb over, I carry on, only to hit another somewhere between 30 and 35,000 words. It’s only when I’m safely past the 50,000 word mark that I feel sure the story will reach a logical conclusion and stand a chance of making it to a full first draft.

Why do these brick walls appear?

Often, this happens because I’ve taken the current characters as far as I can. Even if I’ve worked out roughly where the narrative should go next, I can’t find a road through. Sometimes, I realise I’ve grown bored with the story or the people telling it. Some might consider 15,000 words a lot to throw away, but I do this often. As a writer, I treat these initial meanderings as a passageway into writing. A chance to get familiar with my characters and their situation and work out who they need around them. Just like when you make a new acquaintance. You don’t know enough about them to determine if you want to spend six months of your life with them, or if they’ll fit with your other friends, or what to buy them on their birthday. Or even if they’re the kind of friend who makes your birthday present list. 15,000 words are usually ample for me to decide.

The same, but better

Even if every single word ends up in the trash, often the people who lived in those words survive. They might say different things or dress better (or worse) or have new homes and jobs and husbands or secret lovers, but when I start again, I understand them enough to clamber over that first brick wall. I’d say it makes me a better writer.

Next time I’ll talk about the second brick wall – because that’s where planning really counts.

Coming soon ‘Rebuilding Alexandra Small’ and if you’re up for reading advance chapters and special offers, please join my mailing list.

The first TEN people to sign up will be sent a Kindle version of ‘The Armchair Bride’ absolutely FREE.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work (and bag a FREE signed copy of any of my books), consider using Patreon.

2020: That was the year that was

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2020 - a view from my writing room
A view from my writing room

So, how’s about that 2020, then? It’s been a LONG twelve months. I’m going to avoid the elephant doing tricks on a beach ball in the corner of my writing room and stick to events non-Covid.

Why am I even bothering to tell you this? Because 2020 is a year I want to file away and not always for the worst of reasons – though let’s start with that. Things can only get better.

New Year’s Eve 2019 brought a phone call from The Royal Sussex Hospital for Mr Fanning. Something about how his previous test results somehow ‘got lost’, and would he come in urgently as the doctors spotted precancerous cells in his throat. If ever there came a clue as to the year that would follow… He’s now on every kind of medicine and in a ‘wait and worry’ non-critical state, but the fear sits in my mind, waiting to pounce.

A week earlier another hospital had called to say they’d admitted my mother. But not to fret, she’d be fine. On 15 February, my world suffered a huge blow as she passed away. On the bright side, she got great palliative care once free of the undignified horrors inflicted by Russells Hall Hospital; something she would never have received if Covid moved faster.

My regular cancer check-ups continued, and the powers that be decided my likely benign brain tumour could stay as it is. I’m still not sure I’ve dealt with this.

Big Girl Small Town - 2020 Book of the Year2020 Reading

Reading remained a constant pleasure. I devoured some great books in 2020. Jane Fallon always features on my year-end list. ‘Queen Bee’ was no exception. I got through it in days and revisited the story twice more. Kirsten Johnson’s ‘Guts’ turned into a gripping read and helped me sort out the mind of the lead character in my next novel. Richard Osman delighted me with ‘The Thursday Murder Club’ and if you haven’t already dipped your toe, can I recommend Lesley Manville’s Audible reading. A special mention for ‘The Wrong Knickers’ by Bryony Gordon and my absolute novel of the year (if not decade) ‘Big Girl, Small Town’ by Michelle Gallen.

2020 Writing

I Zoomed my way into two writing workshops this year. One from sitcom supremo Bennett Arron and the other my God of Comedy Logan Murray. I made online friends with some brilliant writers from the latter, and although I’ve been incredibly lazy about staying in touch, I plan to do more on that front. Their talent leaves me in awe.

Rebuilding Alexandra SmallRebuilding Alexandra Small by Mo Fanning finally came together after years of dithering under different titles and my putting writing off until my head was ready. I’m still not sure it is, but I need to move on. So many new ideas are clamouring for air. I might do a Kate Bush and stun you with two in one year in 2021. Though I probably won’t. Don’t hold your breath. It’s bad for you.

Standup took a backseat and is likely to remain thus. With Tier 4 looking set to settle awhile, pubs and clubs are shut, and as a novice, the online world provides nothing useful in the way of feedback. You can’t feel how well a joke lands in a virtual comedy show, given the audience are mostly other comics waiting to do their bit. I haven’t closed the door on this forever and am recording jokes for future use, but I know that if I revive things, it has to be a cold start. I must treat stand-up comedy like I’m a total newcomer with zero stage experience if I’m to get this right.

2020 Vision

And that’s been my year. I’ve moved from Brighton to the Black Country, though not fully. I gained a garden and a dedicated writing room. All my books came out in new covers and (to my surprise) sold well despite their age. Coming soon ‘Rebuilding Alexandra Small’ and if you’re up for reading advance chapters and special offers, please join my mailing list.

The first TEN people to sign up will be sent a Kindle version of ‘The Armchair Bride’ absolutely FREE.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work, consider using Patreon.

Christmas – Things can only get better … surely?

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Five Gold Rings by Mo Fanning - Christmas short stories

It’s Christmas! Remember 2019? The worst year ever. Putting politics to one side, it was one of those years that took away too many beloved famous faces. On 31 December 2019, many breathed a sigh of relief and looked forward to something better.

2020 can’t be any worse, we said.

And then it was.

Even if this has been a tough year, I’m trying to focus on the good stuff to come out of it, and about to spend my first Christmas with stairs. I grew up in a bungalow (yet another thing that made me different and subject to name calling at school – kids are so good at finding cracks in our foundation through which to drip poison). I scarpered to my own life aged 19 and ever since, have lived in flats (although I often call them apartments, the word sounds fancier). After losing my mother earlier this year, we’re trapped by lockdown in the house we occupied for the summer. After six months, the place looks less like it belongs to an old lady with a hefty QVC habit, but there are still enough loose covers and silk flowers to sink any kind of post-Brexit fishing trawler.

Christmas is getting out of hand

Mr Fanning commented on how I appeared to be ‘more into Christmas than usual’ this time around. I gave it some thought. I suppose I want to grab any aspect of normal going. If that means turning back the clock to a time when the cold, damp closing weeks of the year featured a decorated tree and a tin of Cadbury’s Roses, so be it. I fear I’ve gone overboard on the presents. Somehow it got out of hand. I started with small things, then bought more small things, one big thing and then another, then a load of medium-sized bits of fabulosity. Stashed at the back of cupboards in a three-bedroom house, it didn’t look much. Entombed in wrapping paper and gathered under said tree, there’s an Imelda Marcos shoe fetish vibe.

Actual writing happened this year. Admittedly, on and off, as I found new ways to distract myself from the job in hand. I’m ending the year with a fifteenth draft of ‘Rebuilding Alexandra Small’ – the first where the story feels true to what I wanted to say. It needs a final check before sending it to the outside world for another mauling and publication. I’ve also revamped ‘Five Gold Rings’ (adding a lockdown story) and seen the collection appear in paperback for the first time. My back catalogue almost all got new covers and new editions. ‘The Armchair Bride’ snuck back into the few bookstores open and back onto websites. I’m ready to resume my stint of story telling.

Stand back

Comedy took a natural backseat, though thanks to a couple of wonderful online workshops – notably one run by the ever brilliant Logan Murray – I connected with some brilliant comics and writers. I’m hoping 2021 sees me forge stronger ties with these new faces. The experience made me think long and hard about standup. Comedy takes so much time to write – even a short ten-minute set. With clubs and pubs shuttered, there’s little chance to work on material. Without audience feedback, standup dies, the words become a bunch of ideas waiting to be tested. Better comics are already waiting to retake their spots on stage. If I take this back up, my stage return won’t be next year.

So… on to 2021.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work, consider using Patreon.