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Mo Fanning - British writer and comic

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Writing

2020: That was the year that was

December 31, 2020 by Mo Fanning Leave a Comment

2020 - a view from my writing room
A view from my writing room

So, how’s about that 2020, then? It’s been a LONG twelve months. I’m going to avoid the elephant doing tricks on a beach ball in the corner of my writing room and stick to events non-Covid.

Why am I even bothering to tell you this? Because 2020 is a year I want to file away and not always for the worst of reasons – though let’s start with that. Things can only get better.

New Year’s Eve 2019 brought a phone call from The Royal Sussex Hospital for Mr Fanning. Something about how his previous test results somehow ‘got lost’, and would he come in urgently as the doctors spotted precancerous cells in his throat. If ever there came a clue as to the year that would follow… He’s now on every kind of medicine and in a ‘wait and worry’ non-critical state, but the fear sits in my mind, waiting to pounce.

A week earlier another hospital had called to say they’d admitted my mother. But not to fret, she’d be fine. On 15 February, my world suffered a huge blow as she passed away. On the bright side, she got great palliative care once free of the undignified horrors inflicted by Russells Hall Hospital; something she would never have received if Covid moved faster.

My regular cancer check-ups continued, and the powers that be decided my likely benign brain tumour could stay as it is. I’m still not sure I’ve dealt with this.

Big Girl Small Town - 2020 Book of the Year2020 Reading

Reading remained a constant pleasure. I devoured some great books in 2020. Jane Fallon always features on my year-end list. ‘Queen Bee’ was no exception. I got through it in days and revisited the story twice more. Kirsten Johnson’s ‘Guts’ turned into a gripping read and helped me sort out the mind of the lead character in my next novel. Richard Osman delighted me with ‘The Thursday Murder Club’ and if you haven’t already dipped your toe, can I recommend Lesley Manville’s Audible reading. A special mention for ‘The Wrong Knickers’ by Bryony Gordon and my absolute novel of the year (if not decade) ‘Big Girl, Small Town’ by Michelle Gallen.

2020 Writing

I Zoomed my way into two writing workshops this year. One from sitcom supremo Bennett Arron and the other my God of Comedy Logan Murray. I made online friends with some brilliant writers from the latter, and although I’ve been incredibly lazy about staying in touch, I plan to do more on that front. Their talent leaves me in awe.

Rebuilding Alexandra SmallRebuilding Alexandra Small by Mo Fanning finally came together after years of dithering under different titles and my putting writing off until my head was ready. I’m still not sure it is, but I need to move on. So many new ideas are clamouring for air. I might do a Kate Bush and stun you with two in one year in 2021. Though I probably won’t. Don’t hold your breath. It’s bad for you.

Standup took a backseat and is likely to remain thus. With Tier 4 looking set to settle awhile, pubs and clubs are shut, and as a novice, the online world provides nothing useful in the way of feedback. You can’t feel how well a joke lands in a virtual comedy show, given the audience are mostly other comics waiting to do their bit. I haven’t closed the door on this forever and am recording jokes for future use, but I know that if I revive things, it has to be a cold start. I must treat stand-up comedy like I’m a total newcomer with zero stage experience if I’m to get this right.

2020 Vision

And that’s been my year. I’ve moved from Brighton to the Black Country, though not fully. I gained a garden and a dedicated writing room. All my books came out in new covers and (to my surprise) sold well despite their age. Coming soon ‘Rebuilding Alexandra Small’ and if you’re up for reading advance chapters and special offers, please join my mailing list.

The first TEN people to sign up will be sent a Kindle version of ‘The Armchair Bride’ absolutely FREE.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work, consider using Patreon.

Filed Under: Diary, Reading, Rebuilding Alexandra Small, Stand-up, Writing Tagged With: Cancer, Corona, Diary, Rebuilding Alexandra Small, Writing

Christmas – Things can only get better … surely?

December 24, 2020 by Mo Fanning Leave a Comment

Five Gold Rings by Mo Fanning - Christmas short stories

It’s Christmas! Remember 2019? The worst year ever. Putting politics to one side, it was one of those years that took away too many beloved famous faces. On 31 December 2019, many breathed a sigh of relief and looked forward to something better.

2020 can’t be any worse, we said.

And then it was.

Even if this has been a tough year, I’m trying to focus on the good stuff to come out of it, and about to spend my first Christmas with stairs. I grew up in a bungalow (yet another thing that made me different and subject to name calling at school – kids are so good at finding cracks in our foundation through which to drip poison). I scarpered to my own life aged 19 and ever since, have lived in flats (although I often call them apartments, the word sounds fancier). After losing my mother earlier this year, we’re trapped by lockdown in the house we occupied for the summer. After six months, the place looks less like it belongs to an old lady with a hefty QVC habit, but there are still enough loose covers and silk flowers to sink any kind of post-Brexit fishing trawler.

Christmas is getting out of hand

Mr Fanning commented on how I appeared to be ‘more into Christmas than usual’ this time around. I gave it some thought. I suppose I want to grab any aspect of normal going. If that means turning back the clock to a time when the cold, damp closing weeks of the year featured a decorated tree and a tin of Cadbury’s Roses, so be it. I fear I’ve gone overboard on the presents. Somehow it got out of hand. I started with small things, then bought more small things, one big thing and then another, then a load of medium-sized bits of fabulosity. Stashed at the back of cupboards in a three-bedroom house, it didn’t look much. Entombed in wrapping paper and gathered under said tree, there’s an Imelda Marcos shoe fetish vibe.

Actual writing happened this year. Admittedly, on and off, as I found new ways to distract myself from the job in hand. I’m ending the year with a fifteenth draft of ‘Rebuilding Alexandra Small’ – the first where the story feels true to what I wanted to say. It needs a final check before sending it to the outside world for another mauling and publication. I’ve also revamped ‘Five Gold Rings’ (adding a lockdown story) and seen the collection appear in paperback for the first time. My back catalogue almost all got new covers and new editions. ‘The Armchair Bride’ snuck back into the few bookstores open and back onto websites. I’m ready to resume my stint of story telling.

Stand back

Comedy took a natural backseat, though thanks to a couple of wonderful online workshops – notably one run by the ever brilliant Logan Murray – I connected with some brilliant comics and writers. I’m hoping 2021 sees me forge stronger ties with these new faces. The experience made me think long and hard about standup. Comedy takes so much time to write – even a short ten-minute set. With clubs and pubs shuttered, there’s little chance to work on material. Without audience feedback, standup dies, the words become a bunch of ideas waiting to be tested. Better comics are already waiting to retake their spots on stage. If I take this back up, my stage return won’t be next year.

So… on to 2021.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work, consider using Patreon.

Filed Under: Diary, Rebuilding Alexandra Small, Stand-up, Writing Tagged With: Armchair Bride, Christmas, Diary, Rebuilding Alexandra Small, Stand-up, Writing

Write what you know … and other myths exploded

December 14, 2020 by Mo Fanning Leave a Comment

Write what you know - and other myths exploded

I’d like to dig into (and explode) a writing myth. It’s one of those ‘golden rules’ held in awe by many: WRITE WHAT YOU KNOW. On one hand, the advice is solid: how can you tell any story if you don’t understand its setting? On the other, it’s often responsible for threadbare writing.

The Armchair Bride by Mo Fanning‘The Armchair Bride’ was my go at writing what I knew. In a past life – just like my heroine Lisa Doyle – I managed a Manchester theatre box office. Except I was in my 20s and a raging alcoholic with addiction issues and low self-esteem. 39-year-old Lisa is a far nicer person. Her only crime was that she invented a husband and was too proud to ‘fess up to the fantasy.

I spent my Manchester years stumbling from one bar and bed to another. If I’d written only of familiar things, my debut novel would have told a very different story. Not the romantic and heart-warming comedy I wanted. And if I’d written a feckless, unpleasant addict, there’s a fair bet it wouldn’t have sold its way into the bestselling lists (or earned a nomination as Arts Council ‘Book of the Year’). Not that I’m one to brag, but yay me.

Personal experience

Every crime writer doesn’t draw on personal experience as their characters slash open a body or flog their victim’s kidneys on the dark web. If they did, it would turn South of France writer’s retreats into far bloodier affairs.

Rebuilding Alexandra Small by Mo FanningA good story-teller takes a pinch of what he or she knows about the world and sprinkles in a pinch of what they don’t. Put another way: take what you know about yourself, rather than what you know about the world. Spin your story from the characters, rather than the other way around.

In ‘Rebuilding Alexandra Small’, I address my drinking years. These days, I drink very rarely, making me an incredibly cheap date. Allie is almost seven years sober and living what looks to the outside world like the perfect life. And then everything crumbles, shaking awake her inner demons.

Spin bigger stories

I drank because to disguise the shy, standoffish me, believing I could only make friends with a slur in my smile. Allie comes to realise the life she built isn’t one she wants.

Friends and family always try to see themselves in my stories. They couldn’t be more wrong. Every character is a little of me and a lot of my imagination.

Write what you know by all means, but spin bigger stories that go beyond the small world around your front door.

Rebuilding Alexandra Small will be published in 2021. The Armchair Bride is now available now from all good websites and bookstores. If you’d like to support my work, consider using Patreon.

Filed Under: Rebuilding Alexandra Small, Tips, Writing Tagged With: Addiction, Depression, Diary, Manchester, Story, Writing

Six ways for a writer to handle the Covid pandemic

October 26, 2020 by Mo Fanning Leave a Comment

COVID-19

I can’t be the only writer unsure how (or if) to deal with an unpredictable global pandemic. COVID-19 didn’t exist when I started work on my upcoming novel – and given a whole chunk of the action hangs off events at a seaside cafe, I could have done without it hitting. I don’t mean to demean people who lost loved ones or suffered through lockdown, just for now, this is all about me.

There’s a sound argument that books are where the reader goes to escape. The world is ugly, so why drag misery to the table? I thought the same a few months ago.  Now, I watch films, drama, and comedy on TV, and flinch as characters get too close or hug greetings. The rational me knows this isn’t an issue, but I feel like I need to make my story resonate more and mirror the time in which it’s set. And that time is ‘tomorrow’ – the immediate tomorrow, not the sci-fi future.

After scrolling many a blog and social media site, it seems there are six ways for writers to handle Coronavirus.

Ignore it

Pretend COVID never happened. Write the story you always aimed to write as if nothing in the world changed. Tell your story in a parallel universe. Most books reaching the shops were written long before the pandemic hit, so they make limited or no reference. They work. Why wouldn’t yours?

Predict how it might be

Soap operas have come back to UK TV screens. They’re filmed months in advance and handed the onerous job of having to appear current. The writers make their best guess at how things might be. And given our government’s hobby of confusing the Holy Bajesus out of everyone, that’s no straightforward task. Assuming your book comes out in six months, might there be a vaccine, might it be on ration, might more be dead, might there be an even bigger lockdown, or could everything go away … like Trump insists?

Sunny uplands

If you are as crazy as a coot and Trump’s predictions resonate, you could set your book in a time when the characters are ‘back to normal’ with the odd snippet of dialogue talking of how hard COVID life used to be. Things might be better. Lessons learnt by everybody. It might be a gentler world. I’m a natural cynic, so this isn’t the path I ever plan on taking. It sounds too much like science fiction.

Dark and desperate

I’m more prone to take this (total opposite) approach and force my characters to grapple with a post-COVID world where air is in limited supply and everybody lives in bubbles. There’s a place for this – and many TV commissioning editors are crying out for this kind of trite nonsense, but what if we move out of the shade in six months? It’s going to date your story – like that entire chapter I set in an Internet cafe in The Armchair Bride. That’s egg on my face.

Change your time

Most of us tell our stories in the here and now. With the here and now being just a tad weird, maybe we should change the timeline. If jumping into the future isn’t safe, why not skip back a year and set it in the recent past? To be fair, this is the safest bet. Although … if you gravitate towards present tense, a ‘find and replace’ exercise won’t change every ‘is’ into a ‘was’.

Write in the now

Perhaps the most straightforward way to write our stories is to react as if it’s unfolding now. Keep the references to lockdown light and universal. Stay out of places you know will be closed – don’t write scenes in nightclubs. Your characters can still meet in pubs or coffee shops by all means, but sit them at a table, not jostling for service at a bar. Romantic fiction suffers most here – how would two strangers overcome social distancing?

Whatever you choose, I wish you writing wonder.

Filed Under: Tips, Writing Tagged With: Corona, COVID-19, Story, Tips, Writing

Writer’s block – yet another writer with yet another tip

July 29, 2020 by Mo Fanning Leave a Comment

Dealing with writer's block

Writer’s block is painful. Everyone gets a form of it at some point, and most writers have ways of dealing with it. A frequent fix is to ‘just write anything’ until the feeling of being blocked passes.

I recently stumbled upon a new tip for dealing with writer’s block, and it’s working like magic; not just to free up a brain jam, but also as a way to build an effective and engaging narrative dripping with that magic ingredient, conflict.

Write the last line first.

I’ll give that a moment to sink in.

When you start a new story or chapter or scene, write the final line of dialogue before you get going (or when the block sets in). This means you spend the rest of your writing time working towards that outcome, shaping actions and words around creating this natural outcome.

The last line should either tie everything up in a nice bow or deliver a cliff-hanging incentive to read on.

‘And that’s why we should never have done it’ was the example handed down in a recent script-writing workshop. We set off writing dialogue, not knowing our characters, but knowing where we needed to end up. Keeping the outcome in our heads and having it so clearly defined influenced so much of what came before. Lo and behold, the writer’s block lifts.

Choosing something that would make the reader want to turn the page when creating your final line chapter ends helps give your narrative force.  Think how you might write a scene or chapter in your work in progress that ends on any of the following:

  • ‘What now?’ she said. ‘How the hell do we make this right?’
  • ‘This is all your fault. I never want to see you again.’
  • ‘She’s going to hit the roof when she sees it.’

 

 

 

Filed Under: Tips, Writing Tagged With: Tips, Writers' block, Writing

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About Mo Fanning

Mo Fanning

Mo Fanning (@mofanning) tells jokes on a stage and writes contemporary fiction. He’s the bestselling author of The Armchair Bride. Mo makes fabulous tea – milk in last – and is a Society of Authors member and cancer bore.

 
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The Armchair Bride by Mo Fanning
this is (not) america
Five Gold Rings by Mo Fanning
Talking Out Loud by Mo Fanning
Please Find Attached by Mo Fanning

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